In the early 1990s, Naomi and I got a phone call from guitarists Kate Biggar and Wayne Rogers, whom we knew from the band Crystalized Movements. They had recently moved from Connecticut to Boston, and their rhythm section hadn’t followed - they had a gig booked, and would we be interested in subbing?
No one had ever asked us anything like that before, so we said yes. It sounded fun to be a rhythm section on call, like Sly and Robbie.
We showed up at their address for rehearsal, and they led us downstairs from the kitchen to the basement. It was dank and dark, like a basement would be. This was also their recording studio, named (like their record label, and the record store they later opened) Twisted Village. They started to play, and we followed. They didn’t stop, so neither did we. At the end, they said that sounded nothing like Crystalized Movements cause we never stopped playing. So we formed the band Magic Hour.
All of Magic Hour’s albums were made at Twisted Village, which migrated wherever Kate and Wayne did - from basement to basement, or to a hired rehearsal space when the basement flooded/neighbors complained/between moves. The medium was Wayne’s Tascam 388, a 1/4″ reel-to-reel 8 track - a machine with a tape compression and basement murk that Wayne played like another instrument.
The only time Magic Hour recorded anywhere else - or to any other machine - was on the radio. During a tour of the UK in the spring of 1994, we were invited to the gorgeously appointed BBC studios in Maida Vale for a Peel Session. We were promoting our first album, No Excess Is Absurd, but we decided to play all new songs instead, including “Passing Words.” The engineers told us it was longest session track Peel had ever aired.
The version we taped at Twisted Village is longer. And murkier, as a basement would be. It’s on the second Magic Hour album, Will They Turn You On or Will They Turn On You.
All the Twisted Village recordings of Magic Hour are now available for streaming and download at Bandcamp. The complete Peel Session can be found online as well.
“We saw a lot of people that we…well, anyway…warm root beer anyone?”
GOD-BLESSED ZONK ROCK: THE STORY OF CRYSTALIZED MOVEMENTS IN
THREEFOUR PARTS (PART1 of 31 of 4)POPWATCH #4 1993 (pages 39 & 40 ), LESLIE GAFFNEY, Publisher & Boss
- CRYSTALIZED MOVEMENTS interviewed by BOB FAY and LESLIE GAFFNEY
- The rural Connecticut punk psych etsy of Waye Rogers and Kate Biggar combined forces with Forced Exposure’s Jimmy Johnson around 1990 to conjure a heretofore unanticipated market for basement psych rock excess that emptied wallets previously disposed to amphetamine reptiles. (Fuckin’ Record Reviews still hasn’t recovered from spending all that $ on a crap boot of the Fuzzy Duck LP.) It all came together in perfect overdrive with VERMONSTER though, an ode to a record dealer who…well, let’s leave that story for another day.
- Wayne and Kate buried Crystalized Movements around the time of this 1993 interview, moving on to fame and fortune with MAGIC HOUR, then HEATHEN SHAME and for the past 15 years or so as the peerless MAJOR STARS.
- Of course, Twisted Village is the label/Cambridge, MA store/now-just- label-again of wonky rock extremis operated by Kate and Wayne. There are presently 29 titles still listed at Forced Exposure, the sole distributor of Twisted Village stuff to this day.
- Popwatch boss of bosses Leslie Gaffney is rumored to lead a life of contemplative snow shoveling somewhere in the Commonwealth Of Massachusetts.
Dubravka Babić
Technique: etching
12 x 17 cm
1989.
Shunji Dodo
Hey, this post may contain adult content, so we’ve hidden it from public view.
Octopus in a Basket
Place of creation: Japan
Date: Mid-19th century
School: Nagoya
(via lormiguel)